SCROLL DOWN FOR REVIEWS
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TRACK LIST:
1. JESUS 2. I’VE GO THE DEVIL INSIDE 3. OUR GIRLS 4. I’M HAPPY 5. DON’T STOP TO DANCE 6. MEINE KLEINE RUSSIN 7. ONE FINE DAY 8. LONESOME AND SAD 9. JESUS CHRIST TWIST 10. I’M OVER WITH YOU 11. BLUE MOON OF KENTUCKY 12. I SEE THE LIGHT 13. COCO GRACE 14. LETTER TO MYSELF 15. NO HOPE 16. I WANNA KNOW 17. I WANT YOU TO FEEL 18. the Clown of the Town 19. THE BEAT-MAN WAY |
REVEREND BEAT-MAN
'SURREAL FOLK BLUES GOSPEL TRASH VOL 3.' |
Play time: 60 min Play time Bonus Material 25 min origin jear of release 2008 language::English / Schwitzerdütsch SYSTEM: PAL, no country codes, play all regions |
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ENGLISH Here it is the long awaited: REVEREND BEAT-MAN’ surreal folk blues gospel trash vol 3’ This DVD contains 19 Videoclips from the Music of ‘surreal folk blues gospel trash vol 1+2’ each of the clips is made by another Movie maker, each of the clip is Different to the other, one more one less Proffesional.. the creativity of the Filmmakers had no borders at all ,so you can see a Pupped Show video clip short movie or a Mass Baptising scene or a Clip made in a Strip Joint, or Reverend Beat-Man on the Electric Chair, Reverend Beat-man’s son who sings ‘the clown of the Town’ or Reverend beat-man hit by a car laying in his Blood and singing ‘no hope’… when we started the project we thught it’s gonna be trash but what came in was mostly hi quality stuff the people behind the camera proofs that you don’t need a lot of money to make movies these days what counts is the idea and a good eye of the Camera Man We are very proud and happy to present you this DVD that comes as well with a lot of bonus material, like a before unreleased song a slid show and a off Take clip and the WHOLE Mass Baptising Scene DEUTSCH: Hier ist sie ,die lang erwartete: REVEREND BEAT-MAN’ surreal Folk blues Gospel trash vol 3’ Diese DVD enthält 19 Video Clips von den 2 vorgängigen Alben: ‘surreal Folk blues Gospel trash vol 1+2’ jeder der Clips ist von einem anderen Filmemacher gedreht und geschnitten worden (Filmemacher aus: Schweiz, Deutschland, Polen, Belgien und Italien) und jeder Clip hat etwas eigenes, es wurden den Künstlern keine Grenzen gesetzt so sieht man zum Beispiel eine Puppen Show Kurzfilm Clip bei ‚the Beat man way’ oder eine Massen Tauf-szene am Wohlensee in Bern wo Beat-Man aufgewachsen ist, oder auch einen Clip in einem Striptease Lokal mit viel haut oder auch ganz adrett : Reverend beat-man überfahren von einem Auto in seinem eigenen Blut liegend und ‚no hope’ vor sich her singend auch Reverend Beat-Man’s sohn Chet singt ‚the Clown of the Town’ und so weiter.. kein Clip ist wie der andere einmal Professionell einmal komplett dilettantisch punk style, als wir die idee hatten dachten wir das wir nur so live Clips bekommen würden aber wir haben uns getäuscht, jeder Clip ist ein eigenes Universum , was wichtig ist die Kreativität und ist das Auge vom Kameramann. Unsere finanz-Situation ist nicht grad rosig sind konnten wir auch kaum was zahlen, jeder Hat Gratis oder für sehr Wenig Geld gearbeitet. Zu den Clips gibt’s noch etliches Bonus material wie einen bisher unveröffentlichten Song ,ein off take video clip eine slide show, und die Massen-Taufszene in Ganzer Länge…….. viel spass |
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ONE OF THE 19 CLIPS:
REVIEWS:
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Anyone who reads my output on a regular basis knows that I think Voodoo Rhythm Records is the most incredible record label in the world with a talent line-up that has yet to be topped. The man behind it all is Reverend Beat-Man, a musician/visionary whose god-given gifts are as unique as they are timeless. He puts out music for musicians and miscreants and doesn't care how the "market" will react to it. Unless you deal with the music industry a lot, you can't imagine how refreshing that is. As mentioned previously, Beat-Man isn't merely the founder of the label. He's also a musician, and that's what this DVD (in PAL format) is all about: music videos from various directors (including the soon-to-be-new-god of cinema, M.A. Littler) doing their bit to make Beat-Man's songs come to life. How much enjoyment you get from it depends solely on what you think of Beat-Man's material. Reverend Beat-Man's label is stationed in Switzerland. The acts it signs are mostly non-American in origin. Plenty of them, however, do traditionally American music better than we Americans. Reverend Beat-Man is no exception. He picks up his guitar (or banjo) and produces amazing blues/trash/rock songs about redemption, sex, sin, and Satan. He preaches his attack and croons his Christ. And these videos show why he deserves your attention. Personally, I detest music videos. I think they detract from the songs. I was part of the first MTV generation, when videos were actually shown on the channel. I admit I liked them at first as it was cool to see the musicians in action, but the novelty quickly wore thin. When I catch a video these days, it's nothing more than some generic hip hop star lip synching some generic hip hop song about trying to be a Beverly Hills wife while generic hip hop women gyrate around against some generic hip hop background (usually a tricked out Caddy or dimly lit club). To say I was hesitant to watch a DVD of Reverend Beat-Man's videos would be a lie, though. I knew that whatever Beat-Man would put out would be worth my time. I was right. Boy, was I right. Since these videos were shot by different directors, they all feel a little different. Some are experimental (using things like animation and puppets), while others tell a story. Some are little more than Beat-Man performing. All of them, however, help take the man's songs to a new level. Some stand-outs are the strip-club based "Our Girls" (directed by the Cornelia Cimato, who is impressive to say the least); "I've Go [sic] the Devil Inside" (Littler); "Jesus Christ Twist," which is an incredible song that just got better with the help of Rafael Perez; and the visually-simple-yet-striking "I Want You to Feel" (directed by Tea Soza and Tanja Roscic). These videos aren't the type you'll see on any of the music channels as few Americans have yet to embrace "the Beat-Man way." True music fans, however, won't let the lack of exposure bother them because these videos are fresh, exciting, and strangely familiar. This stuff is roadhouse magic performed on a stormy night with chicken blood on the walls, a screaming baby, and a nun dripping with sweat. This is the kind of thing the good Lord would have you stay away from, but would understand if you were tempted. He'd forgive you, too... eventually. In the meantime, though, sit back and enjoy the walk into Hell. But watch your feet. This path is paved not with good intentions, but with broken guitar strings and beer bottles, and the pain is something you'll hope will never go away. |
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SANTA FEE NEWS, NEW MEXICAN (USA) 500
years of democracy and peace gave us the cuckoo clock and
Voodoo Rhythm A few years ago, I praised Stan Ridgway for releasing the DVD version of his album Holiday in Dirt, pointing out that his compilation of videos by various directors showed "hope for the beleaguered art form of the music video" and gave viewers "a glimpse at what might have been had MTV lived up to its original promise." Indeed, music videos seem to be a dying art form. MTV hardly even shows them at all anymore. Holiday in Dirt-quality video projects are few and far between.But the music video is not completely dead. From the neutral nation of Switzerland comes a character who calls himself Reverend Beat-Man, with a collection of videos under the aptly named title Surreal Folk Blues Gospel Trash, Vol. 3. Beat-Man is the founder, chief artist, and probably janitor of Voodoo Rhythm Records."I have to get up in the morning out of the bed, and I have to play guitar," Beat-Man says in the 2006 documentary Voodoo Rhythm: The Gospel of Primitive Rock 'n' Roll. "I have to go to the office and put out records that nobody buys. I just have to do it. I don't know why."Now he's released a collection of 19 music videos based on songs selected from his recent solo audio albums Surreal Folk Blues Gospel Trash, Vol. 1 and Vol. 2.Using several directors — including himself — Beat-Man presents a series of weird morality plays involving Jesus, Satan, and lots of strippers. That eternal struggle of God and the devil provides two of the most satisfying stomp rockers here — "I See the Light" (not the Hank Williams classic, but a warped boogie re-imagining of "I'm My Own Grandpa") and "Jesus Christ Twist." "Go down to your father's place/Take a hammer and some nails/Nail your partner to the cross/Dance around and have some fun/Now do the Jesus Christ twist," he growls in the latter song, which features black-and-white scenes of the crucifixion and rioting teen rockers. Blasphemy never sounded like so much fun. In several videos, Beat-Man portrays a preacher. In the song "Jesus," he goes down to the river to pray — and to baptize his flock. He also appears as a one-man band with guitar and bass drum. But even more interesting is "I've Got the Devil Inside," in which the preacher is tied up, tempted, and tormented by two sexy captors, one of whom wears a mask and eats fire. A similar theme is explored in "Our Girls." As the liner notes explain, "Suppressed Guys need to learn about women. They experience Sex and Violence at a burlesque show. Their masters let them leave as Men." Most of the action takes place in a room with red vinyl sofas and sparkling red curtains. Beat-Man is portrayed by a puppet in "The Beat-Man Way" and by a child in "Clown of the Town." But in one of the most striking videos, Beat-Man is never shown. "Meine Kleine Russin" features stop-motion animation using objects like a painted Mexican skull, a stuffed raven, fresh fruit, flowers, and a glass of red wine. The song sounds like Slavic folk influenced by the music of Voodoo Rhythm regulars The Dead Brothers. Beat-Man can call it "trash," but the video is really quite beautiful. In the closing credits, Beat-Man points out that all the videos were made with financial assistance from no one. The filmmakers and their crews — you get the idea they're all friends and friends of friends of Voodoo Rhythm — volunteered their time to make it happen, which is pretty remarkable when you think about it. At this point Beat-Man becomes something of a camp counselor for aspiring do-it-yourself artists. Repeating some of the same themes of "The Beat-Man Way," the closing credits read, "I hope you did like those videos, and I hope there will be many bands & artists who are following this idea. Be creative and do what-ever you wanna do. Don't let anybody tell you that you are a no-count. Also if you are, just don't give a [expletive] and do your own thing." See voodoorhythm.com. Also check out the Sonic Nightmares podcast, garagepunk.com/category/podcast/sonic-nightmares, featuring Reverend Beat-Man and Gringo Starr. |
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PSYCHADELICFOLK (NL) I
just finished the preparations of my planned lecture on
the origins of Roman-Christian religion dogmas and what
it does to people. Then I found a cross at a fleamarket
made by an uncle artist. Jesus on it looked exactly like
me. I still decided to give it to my mother for
mother’s day, also because it was her brother who
painted this. For me it was a bit as if I gave my cross,
I had to bear with them (and as how they imagined "their
only way") back to her. Besides,
my conclusions for the lecture are that for this sort of
Catholic religion there is no personal spiritual way, no
road of discovering wisdom through life ; everything is
only projected to the elite, where besides they thought
to belong (my parent’s house was where the priests
gathered and developed their ideas,* (-one of them we
needed to call uncle after a while ; he remained the
closest family member ever since, i heard him preach in
church more often with directions towards me what I did
wrong-) and this happened while the shadow of things
of whatever they tend to do or think about things was
maintained and confirmed within and behind this
situation). Catholic religion seems to give more energy
to the processes of the hidden dark parts, making it's
religion looks for me more like a confirmation of a
Satan’s way or benefit, while maintaining their own
sins, and while condemning the rebels who could change
things and increase possibilities, instead of
restricting them, -those who could really see what was
really happening. Even Jesus I'm sure was no Christian
but looks more like a rebellious wisdom seeker, a reason
for his crucifixion in the end, this is to a degree a
celebrated important fact. During
my visit my father suddenly said he condemned the
atheists because they’re selfish and only see
themselves, and that everybody must have something to
believe in, as if believing in itself is important, (religion
for them grows that way they change their decisions
during their lives for what they accept and what not.
Because believing in itself is the most important fact
it seems in reality, I have noticed that they don’t
really believe in anything for real). He also said, as
one of the only times he really said anything that
showed any sort of vision at all, now as an 'opinion',
that also incarnation he found a simplified way of
thinking, to know that you can still come back and do it
all over. I
became furious with his backwards judgements for his
distinction between the superior God-believers and the
others who in his vision can be nothing but immoral
sinners. So, therefore I said that all great thinkers
were atheists, (including Einstein who thought the God
concept was hopelessly naïve) and that atheists are not
selfish fools at all, but are more like realists (in a
Plato fashion) who know that thinking is a projection
and that people should take care of their own
projections, besides religious people have shown me the
heaviest sins, or idiot acts, and besides, I said, that
Buddhists are also atheists. Then
they made up some lies on how much I had failed in life
where they had done nothing else but be helpful. For
this proclamation they exactly took out those few
examples of my own attempts to make something of my
studies, as if those were their initiatives, and the
first where I could make a real choice of my own, and
that I failed with it. I know it was through
circumstances that I wasn’t able to finish those last
two studies, but I had already left them, with violence
and in secret, because they never would have let me go,
something they also denied. And in contrast to my vision
on 'extremism in religion' they said that they were
always open, as if I was ever led by any choice at all.
Now, because I disagreed with their opinions, they said
it was proof that I hadn’t grown up myself yet. And
for my immaturity in my visions I better find advice
from someone who knows (a religious person). Their
opposite approach of visions to me could only leave me
sad or angry, knowing now even more how much their logic
is not mine and never will be. In any manipulation they
always were masters of adding confusion. Through time I
can say how I understand their way of thinking, -it
makes me sick, and that I know there exists no way they
will ever get a grip on me, or not even how to
themselves how they always have been keeping control of
themselves and their environment. Let them leave me once
more, alone.
The DVD of The Reverend Beat-Man after this is pure redemption and relief. It makes me smile now and then, while real dramas of realities are also sung about. Seductions and pain, it’s all part of life. The raw blues gospel sincerity in the expressions is truly compensating, and from the depths of the soul it is demanding a pure life’s energy, like punk but more consciously aware and directly consuming the trash. Of course this wouldn't have this form without its own comparable stories of personal confrontations with Christian religious order and sin. This odd mixtures of visions still comes to something honest and refers to a real person, with very direct expressions, and therefore : I love it. The songs can be simple, just slightly touching things that go much, much deeper into the soul essences of things ; it leaves them also unjudged, and pure, guided by an individuality that makes things strong in any of its raped circumstances, self-made seductions and failures or gotten into dramas, or just into the rawness of things. What I love very much is that each song has a different filmic concept, which makes it a real visual theatrical spectacle, from stage scenes, to poor man’s situations, funeral-prayers of gospel blues inspirations, expressions by puppets, or imitations of a gig played by children, with some devilish woman’s seductions appearing, references to 50s scenes, and to real life’s situations of being drunk or fucked up, with some strange and sick family settings as one of the backgrounds, expressed from black and white to colour, to fish-eye perspectives or with a few drawing comic expressions, sung in Swiss language, or German, -just once-, but mostly in English. I also pretty much like the thoughtful arrangements of banjo, electric guitars, drums and occasional other instruments, and the charismatic presence of the singer. Well prepared, and of course well recommended. |
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LORDS OF ROCK (CH) Faites
le plein de bières, commandez des pizzas, invitez vos potes
et virez vos copines pour la soirée: l'heure est à la fête! |
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TRESPASS
(CH) |
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MOTORAVER (D) Den
Abschluss seiner „Surreal Folk Blues Gospel
Trash"-Trilogie präsentiert uns der Reverend im
DVD-Format. Zwei Jahre wurde in europäischen Filmschmieden
und Hinterhöfen gedreht, gewerkelt und geschnitten was das
Zeug hielt, um die musikalischen Taten und Visionen des Berner
Underground-Helden in laufenden Bildern darzustellen. Das
Ergebnis enthält eine Kurzansprache seiner Durchlaucht und 18
sehr kurzweilige Videoclips, die zu Songs von „Gospel Trash
Vol. 1 & 2" gedreht wurden. Das Spektrum der Ideen
---> reicht
dabei vom Besäufnis in der Stripbar über den Beat-Man auf
dem elektrischen Stuhl über ein Puppenspiel über eine
Massentaufszene bis zu Beat-Man jun. der vor des Vaters
Plattenregal stehend „The Clown Of The Town" intoniert.
Keine Gesetze, keine Limits - einfach eine wahnsinnige
Ideenvielfalt, die nur low budget aber mit viel Engagement und
Eigeninitiative umgesetzt wurde. Danke an die Clipschaffenden
für dieses ganz große Kino.
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INCOGNITO (D) Auf "Surreal Folk Blues" Volume 3 finden sich 19 Videoclips zu fast allen Songs auf den beiden Alben "Surreal Folk Blues" Volume 1 und 2. BEAT-MAN's Idee war befreundete Filmemacher auf der ganzen Welt zu fragen, zu je einem Song Bildmaterial herzustellen, ob mit oder ohne ihn. Daß der Mann echte Freunde hat, sieht man am vergossenen Herzblut aller Mitwirkenden. Obwohl kein Geld vorhanden war und alle Schauspieler, Techniker, Bühnenbildner, Künstler... umsonst mitgearbeitet haben, ist das Ergebnis phänomenal und zeigt, daß die Idee und Liebe bei der Umsetzung reicht, um hervorragende Kurzfilme, Puppentrickfilme, oder einfach nur stimmige Videoclips zu produzieren. Wirklich kurzweilige Unterhaltung, die tief in die Welt des REVEREBND BEAT-MAN blicken läßt, die neben tragischen Beziehungen und den damit verbundenen, schmerzlichen Trennungen, einerseits den echten Blues hat, aber auch aus Bars, Go Go Girls und natürlich jeder Menge Rock'n'Roll besteht. 60 Minuten Spielzeit, plus 25 Minuten Bonusmaterial. Kommt mit sehr schön gestaltetem Booklet. Language: English / Schwitzerduetsch, SYSTEM: PAL, no country codes, play all regions!
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GONZO CIRCUS (NL) De missie van Reverend Beat-Man, een trilogie van twee cd’s en één dvd die een quasi volledig beeld van zijn universum wilden geven, is voltooid. Konden we op de eerste twee volumes uitgebreid kennis maken met de veelzijdige muzikale exploten van de Reverend, deze keer krijgen we een selectie van de nummers uit die eerste twee delen voorgeschoteld, maar voorzien van inventief beeldmateriaal. Zoals we de man kennen is ook voor deze dvd het DIY-principe primair. De kosten werden, niet alleen wegens geldgebrek maar ook omdat het volgens de man zo hoort, zo laag mogelijk gehouden en iedereen die aan de totstandkoming van de video’s heeft meegewerkt, deed dit puur vrijwillig, zonder enige vorm van verloning maar des te meer geapprecieerd door de Reverend zelf en ook door de kijker. De filmpjes zien er namelijk veel minder primitief uit dan we zouden kunnen verwachten en er is een heel grote diversiteit waar te nemen. Er staan nauwelijks clips tussen waarbij we alleen maar een onemanband op zijn instrumenten aan het werk zien. Wel werd ervoor gekozen om de verhalen die de Reverend vertelt, zo goed mogelijk in beelden te vertalen. En dat is gelukt ook. ‘Don’t Stop To Dance’ bijvoorbeeld bevat stripteasedansers in voodoorhythm-ondergoed waar niet alleen de Reverend zelf van zit te likkebaarden, velen onder u zullen dat ook doen. Prijsbeest ‘Jesus Christ Twist’ komt nu nog beter tot zijn recht dan zonder beeld. Reverend Beat-Man kan in deze achttien filmpjes vlot al zijn religieuze symboliek kwijt, in een sfeer van dood, verderf en verleiding. Verderfelijke bars en wulps vrouwvolk geven kleur aan de duivelse gelaatsuitdrukkingen van de Reverend, die zijn lol duidelijk niet op kan. Het filmpje van ‘The Beat-Man Way’ wordt verteld dor maffe poppenkastpoppen die wild te keer gaan, kinderen imiteren zijn wilde muzikale stijl en door de grote afwisseling blijven we geboeid een uur lang naar deze dvd kijken. De extra’s stellen weinig voor, maar dat hoeft ook niet. Deze dvd is een mooie en zeer geslaagde afsluiting van een groots project dat door de Reverend met veel flair tot een goed einde werd gebracht. Wie zijn werk niet kent, kan hier beginnen. Succes gegarandeerd. (Patrick Bruneel) |
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KINKATS (D) Der Reverend hat wieder zugeschlagen. Dieses mal hat Voodoo Rhythm schon die dritte DVD-Kompilation von Reverend Beat-Man zusammengestellt. Auf der DVD sind insgesamt 19 Clips von den letzten beiden Reverend Beat-Man-CDs „Surreal Folk blues Gospel trash“ vol. 1 und 2. Die Videoclips sind von 17 Filmteams (aus der Schweiz, Deutschland, Polen, Belgien und Italien) gestaltet worden – ohne Grenzen künstlerischer Freiheit. Herausgekommen sind 19 höchst unterschiedliche Videos. Die Bandbreite reicht dabei von einer Massentaufe, über einen Dreh in einem Stripschuppen, über den Tod des Reverends, einer Puppenshow, comicstripartigen Videos etc. Und da es Videos zur Musik zu Beat-Man sind, ist eines für alle Videos garantiert: Trash, Trash, Trash. Videos und Musik sind roh, punkig, dreckig, zum Teil bewusst dilettantisch – und nicht zuletzt unterhaltsam. Dazu gibt es als Bonus einen unveröffentlichten Song, ein off take-Video, eine Diashow und eine extended version der Massentaufszene. Gott sei mit uns.
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THOSE CLIPS AND ‘SHORT-MOVIES’ WERE MADE WITH NO FINACIAL HELP OF NOBODY , EVERYBODY WORKED FOR FREE TO MAKE THIS PROJECT haPpen... THANKs a lot TO EVERYBODY WHO WORKED ON ONE OF THOSe CLIPS AND TOOK THEIR TIME WORKING WITH MY MUSIC
CLIPS ARE MADE IN SEVERAL COUNTRYS , IN POLAND , SPAIN , AMSTERDAM , SWITZERLAND USA VIRGINIA AND SOME OF’M IN MY LIVING ROOM AND. Thanks TO MY two KIDS , SCREAMING CHET (ACTOR IN THE CLOWN OF THE TOWN) AND COCO GRACE MY BEAUTIFUL DAUGHTER , THANKS alot TO SANDRO FROM PIXELPUNISHMENT FOR HELPING WITH THE EDITING OF ALL THAT STUFF AND TO ALL THE CRAZY PEOPLE WHO WERE ACTING FOR NO MONEY BUT FOR FOOD , ALCOHOL AND A GOOD TIME.. ESPECIALY IN ONE CLIP (DON’T STOP TO DANCE’) AND THE MASS-BAPTIsING SCENE IN JESUS CLIP I HOPE YOU LIKE THOSE CLIPS AND I HOPE THERE WILL BE MANY BANDS and ARTIST WHO ARE FOLLOWING THIS IDEa: ------------------------------- BE CREATIVE AND DO WHATEVER YOU WANNA DO DON’T LET ANYBODY TELL YOU THAT YOU ARE A NO COUNT ALSO IF YOU ARE jUST DON’T GIVE A FUCK AND DO YOUR OWN THING ---------------------------------- BERN , SWITZERLAND VOODOO RHYTHM RECORDS 2008
REVEREND BEAT-MAN --------------------------
1 . INTRODUCTION FILMED BY BEAT MAN SPOKEN IN SCHWITZERDÜTSCH
2 . JESUS CLIP MADE BY SLOWBOAT FILMS SONG Written by JOSH HADEN FILMED IN BERN , WOHLENSEE , SWITZERLAND ON HDV Director /Producer: Marc Littler Executive Producer: Voodoo Rhythm Records Production Manager: Voodoo rhythm records Production Assistants: Carol and Chessy Camera: Phillip Koepsell Camera Assistant: Nicoals Drolc Editor: Alexander Schnell Costumes: Becky Lee Walters Best Boy: Chrigu Catering: Filou, Alain and Kat Allen Fire Operator: Kat Allen ACTORS: Beat-Man as Reverend Beat-Man Zeno Tornado Magot and Satch Google Silvio Serioso Jackie Brutschke Meret Matter Rocco Matter Maxi Matter Serge Nyfeler Pilar Mathias und Oliver from Roy and the Devil’s Motorcycle Cyril Jeter and Robin Girod from Mama Rosin Alain Perret-Gentil from The Come n’ Go Anabel Schoeneburg Pit Lee Edy Marconi Ines Marconi Dänu Hunziker Simon and Emre from Captain Frank Mafi Reni Wünsch
3. I’VE GO THE DEVIL INSIDE CLIP MADE BY SLOWBOAT FILMS SONG Written by bEAT-mAN zELLER FILMED IN BERN , SWITZERLAND , café KAIRO ON HDV Director/Producer: Marc Littler Executive Producer: voodoo rhythm records Production Manager: voodoo rhythm records Camera: Phillip Koepsell Camera Assistant: Nicoals Drolc Editor: Alexander Schnell Catering: Filou and Alain Requisite: Rock Terror , Karin Bühne: Tea ACTORS: Reverend Beat-Man Lucy Ferret as the Nun Zora la Vipèrine as the Fire Lady special thanks to trine and the café kairo team
4. OUR GIRLS CLIP MADE BY Huevo and conniCimato Song Written by bEAT-mAN zELLER FILMED IN ZÜRICH, SWITZERLAND ON 3:4 VIDEO Director/Writer/PRODUCER Huevo & Conni Cimato Camera :Conni Cimato Actors: Huevo Cimato ; King Kiwi; ; Christian Link ; Felix Grubert ;Anna Bühler Nicole Stange ; Sabrina Handle ; Angelo Fedi ; Maic Christoffel ;Joao Ledermann Chantal Merz ; Vera Egloff ; Karin Nyffenegger ; Beni Wettstein 5. I’M HAPPY CLIP MADE BY Lukasz Jaszak SONG Written BY BEAT-mAN zELLER FILMED IN Poland ON miniDV, 740x480, colour ACTOR: lu, Lukasz Jaszak, REVEREND BEAT-MAN contact: www.jaszak.net
6. DON’T STOP TO DANCE CLIP MADE BY SANDRO Klopfstein song Written by bEAT-mAN zELLER FILMED IN café KAIRO, BERN , SWITZERLAND ON HDV 1 080i Director: Sandro Klopfstein Writer: Sandro Klopfstein Camera: Peter Zwierko Set Supervisor: Philippe Biffiger Lights: Simon Kuhn & Felix Tanner Editing: Sandro Klopfstein & Felix Tanner ACTORS: Su Wydler as the dancer Reverend Beat-man and the guests at Café Kairo as themselves
7. MEINE KLEINE RUSSIN CLIP MADE BY Ivana Gvozdenovic & Stefania Malorgio song WRITTEN BY BEAT-MAN ZELLER / ALAIN GROUBALIAN FILMED IN LAUSANNE , SWITZERLAND www.doue.ch all pictures by doue.ch©
8 ONE FINE DAY CLIP MADE BY BARBARA BRUNNER, FRÄNZI MEYER, STEPHAN HEINIGER song Written by bEAT-mAN zELLER FILMED IN LUZERN, SWITZERLAND ON 4:3 VIDEO Director: Fränzi Meyer , Barbara Brunner , Stephan Heiniger Writer: Fränzi Meyer , Barbara Brunner , Stephan Heiniger Camera: Fränzi Meyer , Barbara Brunner , Stephan Heiniger Actors: Reverend Beat-Man Producer: Fränzi Meyer , Barbara Brunner , Stephan Heiniger & mit freundlicher Unterstützung der HSLU Picture: Fränzi Meyer , Barbara Brunner , Stephan Heiniger contact: www.reyem.ch; www.voltafilm.ch
9. LONESOME AND SAD CLIP MADE BY: BEAT-MAN song Written BY bEAT-mAN zELLER FILMED IN BEAT-MANS APARTMENT, BERN , SWITZERLAND Director/ Writer/PRODUCER/CAMERA/LIGHT/ editor: BEAT-MAN ACTOR: REVEREND BEAT-MAN
10 JESUS CHRIST TWIST CLIP MADE BY RAFAEL PEREZ song Written BY bEAT-mAN zELLER FILMED IN BERN , SWITERLAND / AMSTERDAM , HOLLAND ON DIGI VIDEO Director/Writer: Rafael Pérez Camera: Reverend Beat-Man Actors: Reverend Beat-Man Producer: Rafael Pérez, Reverend Beat-Man Executive Producer: Rafael Pérez, Reverend Beat-Man Picture: Rafael Pérez Sound: Reverend Beat-Man, Rafael Pérez
11. I’M OVER WITH YOU CLIP MADE BY AGAINST THE STATIC FILMS song Written by bEAT-mAN zELLER FILMED IN ZÜRICH, SWITZERLAND ON DV, Anamorphic Director/Camera/: Giuseppe Valentino Actors: Reverend Beat-man, Christine WÜTRICH Producer: Against The Static Film Executive Producer: Kat hia Rota Post Production: Against The Static Film Picture: Giuseppe Valentino Production supported by Leon SCHAETTI www.kulturloewe.ch Production Contact: www.ats-film.com
12. I SEE THE LIGHT CLIP MADE BY rottnfall song Written BY bEAT-mAN zELLER FILMED IN THE MONSTERS REHearsal ROOM , BERN , SWITZERLAND and live at Gleis 13 , Basel / Switzerland Director/ Writer/PRODUCER/Editor: oliver dolder
13. COCO GRACE CLIP MADE BY RAFAEL PEREZ song Written BY bEAT-mAN zELLER Director/ Writer/PRODUCER/ editor: RAFAEL PEREZ FILMED IN: Nijmegen / Holland-Spain ON Kodak Super 8 mm. FILMS Actors: Some crows
14. LETTER TO MYSELF CLIP MADE BY ZEITGEIST song Written BY bEAT-mAN zELLER FILMED IN SWITZERLAND ON HDTV 720P (16:9) Director/ WRITER: TOBIAS Jäggli [zeiTgeisT group ag] Camera: Tobias Jäggli [zeiTgeisT group ag] ACtors: Anne Weick, Ramòn Giger Producer: zeitgeistgroup AG, Aarau Post production: Tobias Jäggli [zeiTgeisT group ag] T-rex (mf), anne Weick, bé Wegmann, Roland von Tessin, Ramòn Giger contact: www.zeitgeist.ch
15. NO HOPE CLIP MADE BY simon + PATRICK kuhn song Written BY bEAT-mAN zELLER ACTORS: SABINE GERBER, BEAT-MAN SUPORT: NICK WABER , SANDRO KLOPFSTEIN FILMED IN SEELAND, SWITZERLAND
16. I WANNA KNOW CLIP MADE BY NICOLAS DROlc song Written by bEAT-mAN zELLER FILMED IN Nancy , France ON A DV CAM DIRECTOR:
Nicolas Drolc.
17. I WANT YOU TO FEEL CLIP MADE BY TEA song Written BY bEAT-mAN zELLER |